形象設計畢業論文

　　【摘要】《圍城》是一部備受矚目的小說,其作者錢鐘書先生被譽為“20 世紀最偉大的學者”、“文化昆侖”。然而在這部廣受贊譽的作品中,作家塑造了許多性格迥異的女性人物形象,從對他們的描寫中表現了作者對于不同女性人物的態度。

　　【關鍵詞】錢鐘書;《圍城》;知識分子女性

　　《圍城》是我國現代文學史上學貫中西、融通古今的大學者錢鐘書的小說代表作。美籍華人學者夏志清十分推崇這部小說,盛譽“《圍城》是中國近代文學中最有趣和最用心經營的小說,可能亦是最偉大的一部。”此書博大精深,被譽為“新《儒林外史》”。其中通過塑造典型環境中的典型人物,展示了文中性格分明的女性知識分子獨像;也通過以點帶面,夾敘夾議的手法,展示了當時社會中形形色色的女性群像。本文擬從先分析文章中知識分子的女性獨像,后分析作者在此書中的女性觀為脈絡,試圖從這個角度出發,幫助我們對錢鐘書的思想進行更客觀更全面理解。

　　一、女性獨像

　　《圍城》中的蘇文紈 、唐曉芙、孫柔嘉等女性知識分子的起名用典,錢鐘書一方面“網羅理董,律求全征獻”,另一方面又達至“意解圓足而免于偏枯”,煞費苦心地隱含了她們的吉兇禍福,一如《紅樓夢》之中的“十二釵判詞”。

　　蘇文縱之名可引謝惠連的《雪賦》:“憑云升降,從風飄零,素因遇立,污隨染成,縱心皓然,何慮何營�！贝嗽娬�注釋蘇文縱在小說中的際遇,空有蘇小妹才名及法國博士帽,卻淪落到先與方鴻漸諸人玩愛情與智力的雙重游戲,待理想破碎,容顏漸老時草草下嫁,及至為人婦時,又誘惑趙辛嵋與之發生私情,演繹了一出人生鬧劇。她工于心計,喜歡男人簇擁在自己周圍,男人之間越是嫉妒吃醋,她越能欣賞玩味并從中得到所謂愛情的滿足。偽潔與易染使她追求的女性新生活注定是媚俗的。

摘  要：描寫武松出場到落草2龍山的10回（2103回到3102回），是《水滸》中最精彩的章節。其中的“打虎”、“殺嫂”、“斗殺西門慶”、“醉打蔣門神”、“大鬧飛云浦”、“血濺鴛鴦樓”，更是突出刻畫了武松的英雄形象。作者筆下的.武松性格中，充滿著古代英雄的力、勇、智、義，充分寄托著正能勝邪的理想。而比起其他水滸英雄來，武松的力、勇、智、義都表現出了更高的層次，代表中華民族對于俠義英雄的崇拜，放射著英雄主義、理想主義的奪目光彩。

關鍵詞：勇和力   剛正   復仇   機敏智慧   局限
 

Abstract: Describe and loose and appear on the scene to taking to the greenwood militarily ten times of Erlongshan (from 23 times to 32 times), it is the most excellent chapter in The Water Margin. It is among them " go tiger-hunting ", " kill by sister-in-law " , not " it is kill door not west celebrate to fight ", the " drunk to play by door god Jiang " , " make a scene by scud Pu ", " last mandarin duck floor blood ", have portrayed the military heroic stature that looses outstandingly even more. Loosing it in the personality militarily in the works of the author, is full of ancient heroes strength , brave , intelligently , justice , fully finding sustenance and can win the evil ideal . And come by hero compared with other the Water Margin, military strength , brave that loose,, intelligently, justice demonstrate high level, on behalf of worshipping to chivalrous hero of Chinese nation , are radiating the brilliant splendor of the heroism , idealism.

　　導語：我們在一般可以通過肖像、語言、心理以及動作來描述一個人的形象。我們在寫人物形象英語畢業論文時首先我們需要列一個大綱，人物形象英語畢業論文大綱不僅可以貫通論文主旨而且也能讓我們能夠順利的寫出人物形象英語畢業論文，下面小編整理了人物形象英語畢業論文提綱，歡迎參考借鑒！

　　題目：雙重文化身份融合：吉卜林小說《吉姆》的后殖民主義研究

　　Contents

　　摘要

　　Abstract

　　Introduction

　　Chapter One Historical Background and The Postcolonial Theory

　　1.1 Historcial Background in Colonial India

　　1.2 The Postcolonial Theory

　　Chapter Two Kipling's Double Cultural Identities and Kim

　　2.1 Similar Life Experiences of Kipling and Kim

　　2.2 Similar Identity Confusion of Kipling and Kim

　　Chapter Three Kim's Double Cultural Identities

　　3.1 Kim's Indian Cultural Identity

　　3.1.1 Kim's Belonging to India as an Indigenous Indian

摘 要

高覺新是巴金在《激流3部曲》中以其大哥為原型精心造出來的1個著名的藝術典型。他貫穿作品始終，寄寓著作者愛與恨、批判與同情等復雜感情，也顯示也巴金卓越的人物塑造才能。正確認識這1人物形象，對于我們理解整部作品的思想主題和藝術成就具有重要意義。在高覺新的性格系統中實際就結構著多重對立的性格元素。他的`悲劇的形成是由多個方面的原因構成的。本文就覺新人物性格的多重性、復雜性，性格反映民族文化心理的普遍性，及其悲劇意義，分析高覺新人物形象。
關鍵詞：高覺新；性格復雜；文化心理；悲劇意義

ABSTRACT

Gao Juexin is a famous artistic model that creates meticulously in “rapids trilogy” written by Ba Jin regarding his eldest brother as a prototype. He shows all the time. the complicated emotion in the article such as love and hatred, criticism and sympathy, ect. It also reveals. Ba Jin`s remarkable characterization ability. To know this personage image correctly. Has a significant meaning when we understand the theme of works and the artistic achievement. There are much heavy and opposite structure actually in the personality system of Gao Juexin. His tragedy is formed by a lot of respects. The article reflects the national culture psychology and tragic meaning from the university, the multiplicity and complexity of Juexin personality, and analyse Gao Juexin`s simage simply. Key words: Gao Juexin; The personality is complicated; Cultural psychology;
Tragic meaning

摘 要

賈母是《紅樓夢》中貫穿始終的重要人物，作為賈氏家族的“寶塔尖”，她地位尊貴，身世顯赫，并且對于所擁有的權威具有高度的自覺性；同時她又慈祥、通達、有遠見、有理性。她是賈府這1封建家族的“龍頭拐杖”，既代表著家族的最高權力，也維護著家族的存亡發展，在賈府中起著極為重要的作用。然而，在她所扮演的.雙重角色中，她的人生卻是悲劇性的1生，甚至有人認為賈母悲劇的深刻程度決不亞于寶玉和黛玉的情愛悲劇。
關鍵詞：紅樓夢；封建家族；賈母；權威；維護；悲劇

ABSTRACT

Jia Mu is a important character who passes through “A Dream of Red Chamber”,as the top power of the Chia Mansion,she has grand rank and eminent life experience,in addition to,she has high consciousness toward to the lordliness owned; Besides, she is amiable, understanded,far-sighted,thinking.She is the highest rank Chia Mansion,not only stand for the top power of Chia Mansion but maintain the development of the family,and she has important effect in Chia Mansion.However,her life is a tragical in the double roles she acts,even someone thought that her tragical grade is no less than pao-yu and dai-yus.
Key words: A Dream of Red Chamber; feudal family; Jia Mu ; authority;
maintained; tragedy

　　摘 要

　　農民意識存在于不同的個體有著不同的表現，但至少可以肯定的是農民意識是農業文明的產物，是傳統文化的重要表現，畢業論文：豬八戒形象反映的封建社會的農民意識 - 語言文學畢業論文。《西游記》中豬八戒是一個個性化色彩較濃的形象，這是一個融豬性、人性、神性為一體的形象。豬八戒的外部特征體現出他是個典型的農民，有著農民似的憨厚、吃苦耐勞優良品質。也擁有農民的精明、智慧和經驗，為取經事業的成功做出了很大的貢獻。同時，豬8戒的.性格表現出來的另1個所謂“普通人民的生活愿望”，是自私、耍小狡猾和貪便宜。為了孫悟空平時對他的“不公平待遇”而公報私仇，這是一種鮮明的農民意識。

　　作者基本上是將他作為一個老好人形象加以肯定的，但同時又十分真實地寫出了他的各種性格缺陷。善惡并存美丑共舉，使性格趨向個性化。有一點我們必須肯定的是在取經的途中，豬八戒用他那些良好的農民意識幫助了師徒四人沖破了許多困難，在取經事業中占據著不可替代的地位。

　　關鍵詞：豬八戒；思想性格；行為特征；農民意識

　　ABSTRACT

　　The farmer realizes exists has the different performance to the different individual, but at least may firmly be farmer consciousness is the agricultural civilization product, is the traditional culture important performance. "Monkey" center the zhubajie is a each one nature color thicker image, this is melts the pig, the human nature, the divine nature is a body image. The zhubajie exterior characteristic manifests him is a typical farmer, has the farmer to resemble gruffly is thick, bears hardships and stands hard work the good quality. Also has the farmer to be astute, the wisdom and the experience, for learned from experienced people the enterprise success to make the very big contribution. At the same time, the zhubajie disposition displays another so-called "ordinary peoples life desire", is selfish, plays small sly and corrupt is cheap. Usually "the unfair treatment" uses ones office to redress personal grievances for Sun Wukong to him, this is one kind of bright farmer realizes.

摘   要

高覺新和孫少安是巴金《激流3步曲》和路遙《平凡的世界》中塑造的長子形象。作為不同時代背景和社會氛圍中塑造的長子形象，他們有著不同的責任應承，不同的愛情態度，不同的自我犧牲和不同的價值追求等等。但作為長子，他們有強烈的責任意識，雙重性人格，悲柔軟弱的行為模式等許多相似之處。因中國傳統封建思想的長期灌輸和浸潤，1些思想已經積淀成為1種民族心理。隨著社會的發展，大家族逐漸解體，但是人們受封建思想的`影響的某些性格矛盾卻依然存在，不同時代的長子的性格還是有著1脈相承性。“長子們”要擺脫沉重的舊文化的“10字架”而真正的做回自己，放飛自我，發展自我，不但需要重塑自我性格，還需要整個社會的努力，將反封建的斗爭進行到底。
    關鍵詞：長子形象；文化性格；封建思想；自我選擇

ABSTRACT

     Gao Juexin and Sun Shaoan is the eldest son image in the novels.The former present in  "Turbulent current Three Inchworms" createad by Bajin, the other is showed in Lu Yao’s "Ordinary World" . As the eldest son image molds which as in the different time background and the social atmosphere, they have the different responsibility to accept, different love manner, different self-sacrifice and different value pursue and so on. However, they are both the eldest son, they have many similarities,such as: the intense responsibility consciousness, ambiguity personality, sad supple weak behavior pattern and so on . Their thought already accumulate into one kind of national psychology,since they were instilled by Chinese tradition feudalistic for a long time. Along with societys development, the respected family disintegrates gradually, but the people are been contradictory feudalistic thinking influence certain dispositions still exist actually, the different time eldest sons disposition has inherits the nature. "The eldest son" must get rid of the serious old culture "the cross" but true to do oneself, releases for flight, development, not only needs to remould the self- disposition, but also needs the entire social the endeavor, the struggle will be carried through to the end.
Key words: Eldest son image; Cultural character; Feudal; Self-selection

摘   要

吉普賽是1個有著苦難經歷并保留著自己獨特傳統的流浪民族。19世紀上半期歐洲浪漫主義文學處于上升的時期，文學家秉著“自然”、“激情”的美學追求，把目光投向了吉普賽文化，并將吉普賽女性作為表現的對象，其中代表性的作品有雨果的`《巴黎圣母院》、普希金的《茨岡》和梅里美的《卡門》。《巴黎圣母院》中的愛斯梅哈爾達是真善美的化身，是內美外秀的優美之精靈；《茨岡》中的金斐拉是純樸自然的樸素之精靈；而《卡門》中的卡門則是放蕩不羈、野性自由之精靈。這3個形象雖然各具特色，但她們都具有吉普賽女性優美的形體、自然狀態的愛情觀與生存方式。
關鍵詞：吉普賽文化；《巴黎圣母院》；《茨岡》；《卡門》；女性形象
 

ABSTRACT

The gypsy is has the misery to experience and retains own unique tradition to roam about the nationality.On 19th century half issue of European romanticism literature is in the rise the time，the writer is holding the"nature", "the fervor" esthetics pursue, went to the gypsy culture the vision, and takes the gypsy female the performance the object, representative work has Hugo Notre Dame of Paris, Pushkin Tribulus Post, Merimee Carmen.Notre Dame of Paris center La Esmerelda is the true, the good and the beautiful incarnation, is beautiful appearance, in a sincere and honest character exquisite demon;Tribulus Post center Jin Feila is the simple natural simple demon;but Carmen center Carmen is unconventional, demon of the fond of the countryside freedom. These three feminine image although each characteristic, but they all have the gypsy females exquisite physique, natural state love view and the survival way.
Key words: Gypsy culture; Notre Dame of Paris;Tribulus Post;Carmen;
Feminine image

摘   要

吳承恩在《西游記》中成功地塑造了許多栩栩如生的藝術形象，孫悟空即是其中塑造得最成功的典型之1。這1形象經歷了由歷史到傳說到文人作品的衍變歷程，日漸形成了集人、獸、神“3性1體”的藝術形象。從外在體貌而言，“毛臉雷公嘴，羅圈腿，拐子步，紅屁股，再帶上1個永不可脫的尾巴”，具有神性的孫悟空依然表現出特別突出的猴性。從內質上看，其思想表現越來越復雜，人性占上了主導地位。當然，在孫悟空身上，猴性與人性并非彼此完全獨立，而是在對立中相互影響，相互交融，如其好動性則是猴性與人性的交匯。從故事的衍變歷程來看，孫悟空從鐘天地之靈氣而生到大鬧3界再到西天取經修成正果，正體現了猴性的'收斂與人的社會化的發展過程。在這1過程中，孫悟空由1只不懂世情的毛猴逐漸成長為1個聰穎、機敏、善戰而又遵禮守法的社會人。這1過程正體現了1種“物-人-神”的進化規律。
關鍵詞：《西游記》；孫悟空；猴性；人性
 

ABSTRACT

Wu Cheng-en has succeeded in moulding a lot of vivid artistic images in Journey to the West, Sun Wukong is one of the models moulded the most successfully among them . This image has been gone through from history to the development course to scholars work of the legend, have formed the artistic image of people , beast , spirit " three an organic whole " of collecting day by day. As regards external body looks, " Thunder Gods mouth of hair face, bowlegs , cripples step , red buttocks , take another tail that can never be taken off ", spirit Sun Wukong still demonstrates very outstanding monkey. In view of interior quality, its thought behave more and more complicated, leading status at the human nature. Certainly, on Sun Wukong, the monkey is not totally independent each other with the human nature , but influence on each other while setting against, blend each other, if its active is a monkey, with the crossing of human nature . According to development course of the story, from gather the efficacious air in the world  and grow to create an uproar in three circle learn from elses experience right fruit of building to Western Paradise and then of world Sun Wukong, reflect convergence and socialized evolution of people of monkey. In this course, Sun Wukong understand by one hair monkey of social trends grow into one intelligent alert. This course is reflecting a kind of " the thing - persons - spirit " evolution law .
Key words: Journey to the West; Sun Wukong; monkey nature; human nature

摘   要

《白鹿原》塑造了眾多的女性形象，她們都是悲劇人物。這些女性的悲劇深植于家族傳統文化的'土壤之中，深埋于社會的歷史長河之中，深藏于人的本性之中。被侮辱與被損害的女性形象，她們承載的是對人性的思考；具有叛逆性格的女性形象，她們所顯示的是《白鹿原》歷史的厚重感；“沉默羔羊”式的女性形象，她們的悲劇是對傳統文化的反思。這3類女性形象共同構建了1個內涵豐富的女性悲劇世界。
關鍵詞：陳忠實；《白鹿原》；女性形象；悲劇意蘊
 

ABSTRACT

The famous novel White-Deer Plain molded numerous female images, they are all tragic persons. The tragedy of these female persons was deeply planted in the soil of the household tradition culture, be deeply covered up in the long historys river of society, be embed in the persons natural character. The female image which was humiliated and injured, what they load is to the thinking of the human nature; the female image of revolt the personality, what they show is the famous novel White-Deer Plain decorous feeling of the history; The female image of" silent lamb" type, their tragedy is to introspect of the tradition culture. These three female images set up a female tragic world that content enrich together.
Key words: Chen Zhong shi;The famous novel White-Deer Plain;
Female image; Tragedy idea